Even though Iago ignites this flaw, without Othello having this flaw Iago would not be able to manipulate him into killing Desdemona, thus making Othello the most important role towards her death. Iago's actions are cowardly, sending Roderigo ahead of him and then attacking Cassio from behind. Then, despite facing death, Desdemona asks Emilia to commend her to her "kind lord." -more of a housewife (though Emilia is her attendant) -embodies the Venetian lady/Renaissance wife -loving, loyal, obedient -accompanies Othello to events -loves him out of pity then admiration of his experiences Desdemona is also the Othello falls in a trance. Having trouble understanding Othello? Iago calls Cassio in, while Othello hides; Iago speaks to Cassio of Bianca, but Othello, in his disturbed state, believes that Ca… Emilia, stunned, says, “My husband! Othello marries Desdemona in order to achieve the highest social status in Venice, but this move triggers the sequence of events that lead to his self-destruction. Significance: Develops Othello's character - even after his death, Othello needs to maintain his reputation and be known as a man who loved his wife; he needs to justify killing Desdemona wrongly. Yet some believe that Othello ‘s motives are deeper, that Othello killed Desdemona because she violated Venetian society’s morals by marrying the Moor. It is easier for him to believe she would betray him … A CHARACTER ANALYSIS OF DESDEMONA. He justifies this with images, metaphors, and ideas of her rebirth after death, and though his rage is softened, he is still much mistaken about her. All of these seem to point to the innocence that Othello is destroying by killing Desdemona. Jealousy consumes the mind of Othello, and is it is emphasised in the play, it is a catalyst for the killing of Desdemona. In this play, Desdemona is an example of perfect womanhood. Moved by Iago's loyalty to him, Othello steels himself to go and kill Desdemona in her bed. Othello seems to grow incredibly jealous of his wife, Desdemona, and his lieutenant, Cassio’s fake affair that Iago, the villain, has convinced Othello of. He is the protagonist and the hero of the play. General Overview Desdemona is Othello’s wife. Standing over Desdemona as she sleeps, he admires her beauty, kisses her, and is almost moved to let her live—noting that, like a flower, once plucked, she cannot be given "vital growth" (5.2.14) again. ’ This imagery is not only placed in the minds of the audience, but set into Othello’s mind. He previously served as a theater studies lecturer at Stratford-upon Avon College in the United Kingdom. "Othello does not kill Desdemona in jealousy, but in a conviction forced upon him by the almost superhuman art of Iago, such as any man must and would have entertained who had believed lago's honesty as Othello did. Again in the same act Othello says “Arise, black vengeance, from thy hollow hell! A tragic event is a disastrous and dreadful event. Iago’s first and favoured tactic at the beginning of Act Three, Scene Three (the pivotal scene in which he brainwashes Othello) is that of subtly delivering half-completed ideas and ambiguous statements to reel Othello into this body of lies and entice him into questioning Desdemona’s fidelity. ’ His jealousy has consumed his mind and now he is resorting to killing Cassio. It represents himself understanding his own reason verses passion as he knows that if he stops loving Desdemona then his passion will overwhelm his reason, thus causing chaos. Too often played as a weak character, Desdemona is strong and bold, especially when it comes to Othello. Othello Characters Analysis Othello. Othello Theme Analysis. He eloped with Desdemona, who was a senator’s daughter. Othello also says “I will kill thee/ And love thee after,” showing that he will continue to admire Desdemona in death. However, she wakes up and tries to explain her innocence. He is respected by everyone around him. ’ said by Othello. Othello kills his wife Desdemona as a result of a delicate plot designed by Iago. Othello starts with emotional abuse before moving to physical abuse that culminates in killing his partner, Desdemona. In this scene, Othello goes to Desdemona, convinced she must die. ). Othello cannot initially believe what he is told about Desdemona because he cannot doubt his own senses that he may have been wrong at judging her, but then his color and his inferiority complex affect his judgement. When Emilia explained how Desdemona’s handkerchief found its way into Cassio’s possession, she proclaims Iago a liar, and Cassio confirms her assertions. she might lie by an emperor's side and command him tasks" (4.1.183-185). PhDessay is an educational resource where over 1,000,000 free essays are collected. OTHELLO Down, strumpet! Othello played the most important role in the murder of Desdemona due to his flaws in his character. His inability to comprehend his reason verses passion is mainly represented in Act 3 scene 3. “Othello”, a competent and brave soldier serving in the Venetian Republic is a character in the drama Othello by William Shakespeare. Emilia comes in and discovers the murder, where Othello tells her that Desdemona was unfaithful and that Iago knew the whole story. Act Three of Othello begins with Othello having no doubts at all concerning his wife’s fidelity and the happiness of their marriage, and ends with him almost totally convinced of her false guilt of being in an affair despite having very little evidence to prove it and no reason to want it to be true. How does Iago Convince Othello to Kill Cassio and Desdemona by the End of Act Three? The story of a Moorish general (Othello) and the soldier (Iago) who plots to usurp him, the play features a small cast of characters who are manipulated and pitted against each other as part of Iago's deceitful plan. Therefor Othello had the most important role in the death of Desdemona through his flaws of Jealousy and Reason versus Passion. Although, Iago could have attempted to persuade anyone else into killing someone, but with out flaws like Othello had, it would not be possible. It was an act of love as described by his dying words “One who loved not wisely, but too well.” (Act 5, Scene 2, 343). 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